Originally from the UK, photographer and artist Sal Taylor Kydd has lived all over the world, before settling in Los Angeles. Formerly an editor, Sal has been developing her photography for the last six years, both as an editorial and a fine art photographer. Sal will be showing her work from her series “Just When I Thought I Had You” at Gallery 169 in Santa Monica. Check out her amazing prints done on our Mohachi paper.
“Origins” artist statement:
Growing up in a small town in England, I had a childhood that was in many ways typical of its time. In the 1970s children led relatively unfettered lives and were free to explore the world with a large degree of independence. In my work photographing my children and family, I find myself revisiting my childhood through their experience, playing by rivers and ponds in the summer, idling the days away, discovering a real connection with nature. Every year we spend our summers on a small island off the coast of Maine. It has become a touchstone for us as a family, a place for us to connect with nature and with each other. For my children these are times of growth and exploration that are strongly tied to a sense of place, of roots and authenticity.
This series is entitled “Origins” because through these images I am attempting to understand what defines that sense of connection and understanding of where we come from, what ties us to a place and tethers us to what has come before?
The processes I have used in this series is Salted Paper printing, in which I use a combination of antiquarian and contemporary technologies. I use a digital camera to capture my images, but then I create a physical negative from the digital file, which is then printed in a contact frame, using the same techniques pioneered by British photographer Henry Fox Talbot in the 1800s.
With these processes, the element of time is not inconsequential, it takes time to make a print, a process that gives opportunity for discovery and serendipity. You coat your paper, you expose it to the sun, you wait. It is a contemplative and mindful undertaking. In each of the steps, from sizing the paper, to exposing the negative and developing the print, there is a tangible connection with nature and the natural elements brought into the print, which again mirrors the content of my work. The artistry of “making” a photograph becomes itself an act of becoming and invention.
The exhibition will be open to the public until September 20th, 2015.
The Rembrandt House which once was his home is now a historical monument and museum, commemorating Rembrandt’s life and work located in Amsterdam. He lived and worked in this house from 1639 to 1658. Although the interior has been reconstructed since then, the overall architecture remains the same as it was in his time.
Rembrandt and Gampi Written By: Bruce Meade The news got to Rembrandt quickly. The first trade ships from Japan had just dropped anchor in Amsterdam harbor. And among the exotic treasures in their holds was rumored to be a rare, beautiful paper. Luminescent, incredibly lightweight, yet more than strong enough to hold a printer’s ink. Rembrandt hurried through a maze of alleyways to the shop of the paper merchant. The artist arrived just as the new sheets from Japan were being carefully stacked on wooden shelves. “Gampi”, stated the merchant. “Made from the bark of a shrub that grows only in the wild. Quite expensive.” Continue reading “Rembrandt and Gampi by Bruce Meade”
This is an especially interesting collaboration for Hiromi Paper as well, because when Jennifer had been searching for a local bookbinder, we were the ones that first recommended George at The Fire Monkey; whom we’ve had a close relationship with for many years. We are so glad this collaboration worked out, and together they created such a wonderful book!
May 5th is Children’s Day in Japan, when traditional carp-shapedkoinoboriare flown in the air for children in the hope that they will grow up healthy and strong.
These carp patterns are usually drawn onto paper, cloth or unwoven fabric.
Although the traditional way of displaying koinobori is to hang them from high poles outside of homes, the people of Inomachi do things a little differently…
Since 1995 when the event started, hundreds of koinobori are gathered at the famous Niyodo River, where the townspeople and people around Japan come together to enjoy this annual celebration. The koinobori designs are all on unwoven cloth made locally, which are durable enough to be flown in the wind and ‘swim’ in the streams of Niyodo River. This unwoven cloth is an “in-between” of paper and cloth, since the synthetic fibers are bound together randomly like the characteristic of Japanese papermaking.
People can choose to see the swimming koinobori up-close on small boats!
The event is usually from April 24th – May 5th, throughout the long Japanese vacation of Golden Week.
I personally would love to see this in person someday!
Thank you Chinzei-san (Hidaka Washi) for the amazing pictures!