From Japan: Hiroya Yamashita from Yamaji Paper mill in Fukui

In our quest for the most color fast kozo paper, Hiromi Paper has collaborated with Echizen papermaker, Hiroya Yamashita, to create the Hiroya color series. Here are some questions we had for Hiroya about the new color series:
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Paper profile: Weight, Size, Material, Sizing, and Cooked with?
50% Kozo, 35% Pulp, 15% Manila Hemp
67 gsm
With sizing
Cooked with caustic soda

How did you get into papermaking?
I started papermaking about 13 years ago, when I was 23 years old. The mill is my family business, so it was a smooth transition into the world of papermaking.

Can you tell us the process of developing this paper?
The base of Hiroya Paper is a handmade paper that we had originally been making at the mill, with a mixture of local-grown kozo, pulp and Manila hemp. I felt that it was important to use as much local ingredients as possible, since I knew this paper was going to be used internationally.

What do you find yourself doing when not making paper?
I love cycling, playing golf, and of course eating myself full of sushi!

Please leave a few words for our readers if you have any:
I’m always open for new suggestions or opinions on what kind of papers overseas customers want! Please let us papermakers know, and we will try our best to fulfill those requests!

Screen shot 2015-07-22 at 4.03.42 PM

How were the colors of Hiroya Paper developed?
In order to achieve better, long-lasting colors, I outsourced to a different company for their assistance to dye the papers after the papers were formed.
 
What is the significance of the coloring?
The pigments used are what were traditionally used to dye kimono textiles, and are much less likely to fade over time.

How are the colors applied to the papers?
The colors are screen-printed onto the papers, all by hand.

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Rembrandt and Gampi by Bruce Meade

Rembrandt and Gampi  Written By: Bruce Meade rembrandt 1 The news got to Rembrandt quickly. The first trade ships from Japan had just dropped anchor in Amsterdam harbor. And among the exotic treasures in their holds was rumored to be a rare, beautiful paper. Luminescent, incredibly lightweight, yet more than strong enough to hold a printer’s ink. Rembrandt hurried through a maze of alleyways to the shop of the paper merchant. The artist arrived just as the new sheets from Japan were being carefully stacked on wooden shelves. “Gampi”, stated the merchant. “Made from the bark of a shrub that grows only in the wild. Quite expensive.” Continue reading “Rembrandt and Gampi by Bruce Meade”