Hiromi Paper, Inc. 30th Anniversary: Chigiri-e

Our 30th Anniversary Reception and Workshop Extravaganza is fast approaching! The second of our FOUR workshop stations that we’ll reveal today is Chigiri-e. The Japanese art form of Chigiri-e is now well over 1,000 years old dating back to the Heian Period. Chigiri-e neared death in the 1800s but the creation of Tengujo/Tengucho provided a new way of approaching the method. In Japanese chigiru roughly translates to “tear” and e translates to “image”, “picture”, or “painting” thus Chigiri-e can be roughly translated as “torn picture”. More accurately though, Chigiri-e is, an image made of thin pieces of Japanese paper torn and shredded and then affixed to a stiffer surface, such as board or thick paper stock, and adhered with PVA, Funori, Fueki-kun nori, or Jin Shofu.

chigiri-eThin layers of Washi (Japanese paper) allow the artist to build depth, perspective, and value in the image. Skilled Chigiri-e artists can achieve a sophistication reminiscent of watercolor paintings, however, it can be an art form suitable for all ages–from children to older communities. All of the different kinds of Washi (Japanese papers) possess many characteristics that lend themselves well to different techniques.

IMG_1722Tengujo/Tengucho, Color Kozo, and Color Gampi, for instance, can be used to layer on color and value due to it’s highly translucent nature. It can be used to quickly and subtly cover large swaths of space with color or texture.

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Amate Swirl

 

The fibers of Kinwashi, Unryu, and Amate Swirl can be easily dissected from their surfaces to create gestures that resemble branches, stems, flower stamen, hair, etc.

While there are traditional shikishi boards used to house the Chigiri-e, any sort of paper will suffice as the base, depending on the needs and desires of the artist. Papers like our Black, White, and Natural Shikishi, Bhutan Stationery, Amate Solid, and Yucatan make excellent bases, though the latter 3 diverge a bit from tradition.

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Now available in store only is the Cavepaper Scrap Pack ($9.00) which comes filled with ends and bits of Cavepaper’s experiments and left overs, often one-of-a-kind pieces. These are helpful in adding unusual textures and patterns to your Chigiri-e.

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Hiroko Karuno: Moro Jifu Exhibition

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May 27th – May 30th 2016

10AM – 4:30PM @ Naoya Shiga Former Residence

Address: 1237-2 Takabatakecho, Nara, Nara Prefecture 630-8301

Tel: +81 742-26-6490 Website: http://www.naragakuen.jp/sgnoy/ Continue reading “Hiroko Karuno: Moro Jifu Exhibition”

Deffner & Johann Spotlight

This month we are excited to introduce Deffner & Johann, German distributor of Hiromi Paper’s conservation papers, materials, and more. Deffner & Johann’s dedication to product innovation has made them a great partner in promoting special papers and materials across Europe. 

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Photo: taken by Hiromi Katayama at the IADA Berlin congress of Ralph-Uwe Johann & Maren Dummler

 

In 2015, Deffner & Johann presented a video on “Parchment Restoration” with paper restorer Maren Dümmler, using washi from Hiromi Paper.

View the video on youtube here.

“Deffner & Johann is a leading supplier of materials, tools and equipment for conservation & restoration, care of historical monuments and for those practising traditional craft techniques. We also supply design solutions for fitting out workshops and studios. In over 135 years of its history, the company has made a name for itself far beyond the borders of German speaking countries as a specialist wholesaler of products for use in all aspects of the conservation of cultural goods.

Our customers include well known museums at home and abroad, public and private archives, restoration & conservation studios, trades and crafts workshops and discerning artists as well as universities and research institutions specialising in conservation training.  We refine our range continually in close consultation with our customers. This co-operation drives us forward and forms a substantial part of our company’s philosophy.”

https://www.deffner-johann.de

Kozo bark party in Kochi

Stripping of Kozo Bark…

The time of the year has come again where the people of Ino-machi gather for the annual stripping of kozo bark.
The past blog post can be found here.

Many thanks to Mr. Hiroyoshi Chinzei, who provided us with wonderful photos!

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Kozo appears!

Continue reading “Kozo bark party in Kochi”

Joey’s Washi Tour 2012 Recap Part 1

Hello everyone! I had the most amazing trip with Yuki a couple of weeks back, as you may have noticed from the wonderful updates packed with images and notable information she has been posting. It was definitely overwhelming to jump into the hustle and bustle of the Tokyo city life from day 1, but coming from Los Angeles, it was easier to adjust to. Racing against a threat of jet-lag, we roamed the city street life from morning to dusk!

 

Continue reading “Joey’s Washi Tour 2012 Recap Part 1”

Colorful Tokyo

Greetings from Tokyo!
Fellow HPI staff Joanna and I (Yuki) are now in Tokyo, before our 1-week Washi tour begins next week!

Today, we explored Ginza,  strolling the streets and browsing through multiple stores to see what is trending now in Japan.
What we came across was an item that we both adore….WASHI TAPE. Continue reading “Colorful Tokyo”

Washi Tour 2010 Part 4 Yamamoto – Suketa (papermaking tool) maker

Day 3 and the first visit of the morning is to see 81 year old Yamamoto Tadayoshi, long time suketa maker. A suketa is the frame washi is made in; su being bamboo screen and keta being the wooden frame. In the studio at his house, he makes the su, keta, and hinges by hand. The art of splitting and joining bamboo splints for the screen (su) required years of apprenticeship.

When we came in, he was in the process of repairing a keta (frame) that was not made professionally.Yamamoto-san himself is one of a very few number of professional suketa makers in Japan. The first thought that came to our minds was “is he apprenticing the next generation??”. Sadly, he did not seem to have any at the moment.

Continue reading “Washi Tour 2010 Part 4 Yamamoto – Suketa (papermaking tool) maker”