Collision of Moments: A Photographer’s Encounter with Japanese Washi

Written by Robert Morrison

Gaze of Orpheus, 2019, Artist’s Proof 
Fine art digital print on Handmade Gampi Paper 
Movement collaborator: Emma Kury

My love affair with Japanese papers is nearly lifelong going back to when I first saw Frank Lloyd Wright’s collection of Japanese art many decades ago. It also stems from the concept of wabi-sabi (侘寂), or accepting, if not delighting in imperfection, something which was essential to me when I was a painter and sculptor.  It’s ironic that years ago, when I first visited Hiromi Paper Inc. in search of Japanese papers to try with inkjet printing, I used printers loaded with custom grayscale inks, and used exotic workflows and drivers in quest of the perfect digital fiber-based “silver” prints, no wabi-sabi allowed.  It took years for commercial printers and papers to evolve, but now we have the ability to make beautiful archival fiber-based BW and color photographic prints.  But in spite of all of these “perfect” prints that I produce on a daily basis, I still crave wabi-sabi.  

Robert Morrison Bricked, 2018, Artist’s Proof 
Fine art digital print on Handmade Izumo Mingei Gampi Paper.  Movement collaborator: Corah

Recently I’ve been working on printing work from three different series of art (Moving Meditation, Take the No. 9, and Collision of Moments) that both formally and conceptually called out for Japanese papers that partner with the images to make them more than just photographic prints.  I’ve tested more than 30 different Hiromi papers at this point including both machine and handmade papers made from a variety of fibers both inkjet coated and uncoated. The papers range from tissue thin to more substantial washi.  Currently I’m printing in both color and grayscale using Colorbyte Software’s Imageprint Black RIP with a Canon imagePROGRAF PRO-1000 17-inch printer.  

In this article we focus on prints from my Collision of Moments series which are color. The images are light-painted time exposures that I began to experiment with about two decades ago.  They involve collaborating with movement artists (yogis, modern dancers, belly dancers, or artist’s models) who move through space for up to 10 seconds.  During their movement I hold the shutter open and watch, triggering several flash heads placed around the room to punctuate moments, glimpses of mindfulness, in a stream of movement.  The process is very rich and I’m forever grateful to my collaborators for their experimental spirit.

Mindful Flight, 2019, Artist’s Proof  
Fine art digital print on MM-20W Gampi Paper.  
Movement collaborator: Marley Hornewer

An essential aspect of this project, and also of my love for photography, photographic printing, tea, and all things Japanese is a now more than 20 year friendship with Antonis Ricos.  I trust Antonis’s eyes (and brain) more than any other human to evaluate a print both technically and artistically.  He’s been more than generous to pour over my print samples, evaluating the papers, profiles, and most of all the wabi-sabi to give you a glimpse into what you can expect from inkjet printing on Japanese washi.  He has also beautifully photographed the samples to demonstrate all of these features and provided detailed observations on what he sees. See his comments as well as demonstrative photographs here.

There is still much to do in the project including selecting the final paper for each series and fine-tuning profiles and images, but the journey so far has been most rewarding, and I look forward to showing these once we are again free to roam the planet.

The Circle, 2004, Artist’s Proof  
Fine art digital print on Inkjet Coated kozo and pulp machine-made paper (IJ-48W) Movement collaborator: Shahina 
Detail Photo: Antonis Ricos

To see more of my work please visit studiotheia.com or follow me on Instagram (@studiotheia) or Flickr (@studiotheia) to see what I’m looking at recently.

Kozo bark party in Kochi

Stripping of Kozo Bark…

The time of the year has come again where the people of Ino-machi gather for the annual stripping of kozo bark.
The past blog post can be found here.

Many thanks to Mr. Hiroyoshi Chinzei, who provided us with wonderful photos!

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Kozo appears!

Continue reading “Kozo bark party in Kochi”

Stripping of Kozo Bark Workshop

On January 18, 2012, a mini workshop of kozo bark stripping was taken place at Tosa Washi Kogeimura (Arts and Crafts Village) in Ino Machi of Kochi Prefecture.

Kozo is the main fiber used to make washi; the bark that is used in 70% of washi made today. These kozo trees are cut down every winter to make the fibers and soon after, the plant will grow new buds, sprouting vibrant green leaves in the summertime, and will again be ready to harvest by next winter. This is one of the reasons that washi is considered to be eco-friendly.

Continue reading “Stripping of Kozo Bark Workshop”