I have been working on and with paper for a long time. I test different techniques with paper to actualize artists’ books often wondering about the life of paper. Washi, one of the most “living” papers, is so generous and amazing, lending itself to my purpose as a bookmaker.
I wondered, how can I approach paper as a “living” thing so that I can imbue part of me into it. How can I be part of the life of the paper? How can I participate in animating the life of a paper?
I set out to find a workshop in Japan that would welcome me for 3 months, where I could immerse myself in papermaking, from harvesting the fibers to forming and drying the sheets.
Mrs. Hiroko Tanino, Washi Master, Tokigawa (Saitama prefecture), opened her doors and welcomed me. We share a love of a paper and the surprises that arise in any situation. We see the beauty of the washi-maker transfer into the beauty of the washi they make. Mrs. and Mr Tanino are both passionate handcrafters working tirelessly to preserve handmade papermaking, as such, they are welcome to ideas and proposals presented to them!
My project became to make a book from Washi that was also about Washi, where the texts would be haiku. Through my new experience, Mrs. and Mr. Tanino guided me with their know-how.
Although I am not able to make a perfect sheet of washi, I discovered the infinite potential offered by this noble paper. Washi can speak to us; washi will conform to our desires–it is open to the light and it can improvise. Sometimes it offers its fragility, sometimes its sturdiness. Other times it’s like clothes or skin, full of sensuality and flexibility. It can even be a sculptable substance ready to be reformed or reborn. With pigments, its possibilities further expand.
Each sheet is unique and it is very moving.
The three months spent learning from Tanino san passed quickly. The more I learned about Washi, the more questions I began to ask. Washi is eternal which gives me time to discover it. I’m barely meeting washi, and it leaves me dreaming for more.
Written by Martine Patoux
Edited by Edwin Arzeta