We’re looking back at work by Laura Viñas this month. Through her work Viñas explores the psychological reality about self-contextualization and memory. Painting Tengucho 5g and 9g papers with watercolors, Viñas transforms the seemingly delicate sheets into powerful haunting images of landscapes alluding to the Pampa region of South America– a vast expanse of low-lying flat fields that unfurl in every direction that you look towards the horizon. Viñas work asks us to look into the image on the surface of the Tengucho paper and once there to try to look past it and get lost in the illusory expanse, and to consider the space behind the paper as part of what’s directly confronting us in each painting or installation.
In the words of the artist:
My subject matter deals with the perception of landscape in order to create new places.
These new places are a mental construction, and in them the object of my work is embedded: time deposits, memory and distance.
At the same time, it allows me to research into the concealed and enigmatic side of these objects.
I choose my materials with precision: thin rice papers, watercolors and photography.Furthermore, I restrict the color palette, the vanishing points, and materials in order to fully develop my creativity and concentration.
I manipulate nature and light as an abstraction, to generate a mirror where the viewer finds himself. –Laura Viñas’ artist statement
Take a look at more of Laura’s work here:
![_DSC7752[2]](https://hiromipaper.files.wordpress.com/2014/07/dsc775221.jpeg?w=840&h=556)
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