Elinor Cotait: Photographs on Asuka paper

Brazil-based artist Elinor Cotait has been using the Asuka inkjet coated paper for her beautiful imagery. I had the pleasure of meeting her a few months ago when she visited our store, all the way from Brazil. We began to talk about her works on Asuka paper, and I loved how her subtle photographic images looked on the Asuka paper!

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Árvores 2, 2014

A few words from Elinor:
“In 2012, visiting friends in LA, I spent some time at Bergamot Station Art Center and then discovered Hiromi Paper, where I found myself in an entire new word of possibilities. At the time, I was working in a series of photographs characterized by soft forms and pastel colors. My idea was to share through it a very abstract, subtle view of the landscape. However, I tried all kind of papers to print and never achieves what I had in mind.

That is when I found coated washi paper at Hiromi Paper. Not only one kind or size, but several! I brought some options home [to Brazil] and in the very first trial I finally saw something that was real only in my mind becoming real on paper too.

Nowadays, I am a member of Hiromi Paper, and four series of my photos are based on their washi paper. Currently I am working on a photo book that hopefully will be printed on washi paper too.”

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Árvores 1, 2014

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Artist Feature: John Wigmore

John Wigmore

We had the pleasure of visiting the studio of lighting designer and artist, John Wigmore. He combines the elements of sculpture, painting, and installation with Japanese papers for his lighting installations for both show rooms and personal clients. This time, we were able to ask a couple of questions and learn more about John and his work.

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Q: Can you tell us a little about your artist background and company?
A: I graduated from UCSC with a BA in Art Studio and mainly concentrated on painting and sculpture. I got interested in natural materials and found that I enjoyed working with paper in my sculptures. I was looking at a lot of James Turrell and Robert Irwin at the time in the early 90’s and began making my light sculptures in NYC from Okawara paper combined with a heavyweight watercolor paper.
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Print on Harukaze, kozo layers.

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