We were recently invited by our new-found neighbors, CyberCopy USA, to challenge their very large flat-bed printer with some of our most robust papers from Japan and around the world. We jumped at the idea of bringing a selection of some of our most traditional papers, which are far from designed for digital printing of any sort, but have always drawn interest for such processes because of their physical appearances. Until now, we have not had luck finding digital printing services who would offer to print on papers with deckle edges, that are extremely thin, or extremely thick.
CyberCopy is comprised of four locations throughout Southern California: Santa Barbara, Ventura, Westlake Village, and headquartered at its Culver City location servicing most of Los Angeles. Each location provides slightly different services, some of which include: fine art reproduction (giclée printing), UV set ink digital printing, CNC routing, laser cutting and etching, museum grade high resolution scanning, and much more! For over twenty years, CyberCopy has accumulated a repertoire of services making them a go-to location for your many art needs.
Our challenge, proposed by CyberCopy, was to test the capability of their Mimaki JFX200-2513 wide-format flatbed printer. We provided the following papers: Bhutan Tsharsho (very thick, no sizing, bumpy texture), HP-15 Okawara Machine Made (relatively thin with sizing), HP-58 Sekishu Natural (no sizing, semi light weight), Yatsuo (unsized colored paper), HM-58 Okawara Student, HP-14 Asagami (very thin 13 gsm, very transluscent), and Igarashi Kozo (very thick). The printer has a table top with thousands of small suction holes that hold the substrate in place while printing. Instead of the papers being fed through the printer, there is a sort of “bridge” that moves forward and backward and then its printer head moves side to side. UV-set ink is released from above and instantaneously sets, requiring virtually no drying time or presenting issues of smudging.
Bhutan Natural Dyed Tsharsho Kenpa (beige) This handmade paper is made of fibers from the Edgeworthia plant. Traditionally, this paper could only be printed on via manual methods such as screen or relief printing. Surprisingly, the Mimaki printed without regard for the uneven surface of the paper.
HP-15, HP-58, HM-58, Igarashi Kozo, and Yatsuo also all printed well. Usually printers are reluctant to print on handmade papers for fear that the softness of the paper and the deckle edges will clog the printer requiring extra maintenance or damage parts.
It was, however, HP-14 Asagami which astounded us the most. Clocking in at 13 gsm, Asagami is a very thin, translucent paper which usually would require special handling and care otherwise it could easily tear, crumple up and clog the printer, or pucker while drying. The Mimaki made it possible to print without any of those conditions. The print dried instantly and perfectly flat while producing very sharp images.
CyberCopy has both a CNC router and Universal Laser Cutter, the latter of which can work with substrates up to 2’x4′ that range from wood, to certain papers and paper like substrates, to acrylic, and can even etch into pastries!
Most recently added to CyberCopy’s Culver City location, is their extremely high definition Rencay camera scanner. Oftentimes customers want to be able to digitally reproduce their works on paper, but the result is that the paper itself becomes nothing more than a blob of color. This Camera scanner is capable of quilting together the details of large expansive artworks while retaining the most visible subtle characters of the paper or canvas on which the artwork is made. Additionally, this scanner can travel to your studio! For a video about how the scanner works click this link
For more information about how your next project can benefit from CyberCopy, please contact Austin at via email: email@example.com